I think it's something about the dynamics about the work I'm getting drawn to. Maybe I'm drawn to what I feel I lack. I love this 'Amelie' preliminary sketch by Nimit Malavia.
I think it's the sense of kineticism and the line variation or maybe a combination of stillness and movement, or even imagined movement, as if there were more than one time and space. One in reality and one in imagination.
What Develops Julian Callos
I guess I go through periods of stylistic obsessions like most artists but I'm feeling like the last 9 years I've been trying to consolidate the desire to draw the realistic with fantastic and I'm finally feeling like I'm almost at a point where I'm getting there. Not that I ever want to really find that I've resolved it because I think I'd bore myself.
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